Kevin Merchant Photography News

On a rainy day, some visitors came wandering through the backyard in Bandon. I couldn't resist. He's such a handsome fellow.

Be well. Be safe.

Shore Acres State Park in Charleston, Oregon has spectacular ocean views and some amazing sunset opportunities. Combining the views of cliffs with the wave action and sunset light is just one such possibility.

From Thanksgiving Day until the end of December, the grounds around the old Simpson home inside the park are lit at night with festive Christmas lights and many light sculptures. A visual feast. If you go, be prepared for the cold because once the sun drops below the horizon, the temperature starts to drop as well. If you plan some photography, a sturdy tripod is needed for the long exposures. And, plenty of patience as you generally have to wait for people to walk out of the frame.

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I especially love to shoot fall color. It is a transitory time of year and you have to take advantage of the moment when it is right in front of you. That is particularly true of this image. There are two maple trees in our backyard that have the potential to be very stunning in fall color. On only a few occasions have they dropped enough of their leaves before the rain and wind come to make an image like this one. Once the leaves are on the ground, there is a very short window where they have such deep and rich colors.

I also like to combine the fall colors with macro shots such as this. It is all about the color, the shapes and just the leaves. This particular image is made from a focus-stack series of 10 shots for maximum depth of field. My goal was to have everything in the frame in sharp focus.

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Sometimes the ordinary should be recognized. Western gulls are plentiful on the Pacific coast and so they mostly go unnoticed. Besides being the only bird around on this particular walk on the beach, the light on the beach gives this bird a stunning look.

Speaking of going unnoticed, the patterns from the sand cliffs in late afternoon light were too good to pass up. Most of the time, the cliffs are just there. The exceptional light made them stand out to me.

Be well. Be safe.

On October 14, 2023, an annular solar eclipse occurred, crossing from the central coast of Oregon to the southern coast of Texas and the Gulf of Mexico. We chose to travel to Nevada to be in the center of the path - Virgin Valley Campground in the Sheldon National Wildlife Refuge to be exact.

Having never been there, we did not know what to expect. From what little could be gleaned from the Internet, it is a remote area and dry-camping would be required. But, we did expect there to be enough people coming for the eclipse, that we arrived three days before the big day, just in case there was competion for a site (there was). It turns out that Virgin Valley CG is a no-fee campground so there was a bit of a free-for-all in securing a space, especially as the day approached. Arriving early was a really good idea. We ended up sharing our space with new friends from Alabama.

The first camera setup was going to be a telescope with the Canon R7, mounted to an equatorial tracker on a carbon fiber tripod. With clear skies the night that we had a camp space secured, I took the opportunity to polar align the tracker. That turned out to be fortuitous because the night before the eclipse was completely clouded over. You just have to be careful not to bump the tripod.

The second camera was going to be a Canon R5, mounted to an RF 100-500mm zoom lens with a 2x extender on another carbon fiber tripod. This setup required continuous adjustment throughout the eclipse. It proved to be a bit tricky due to the fact that at first contact, the sun was obscured by clouds. We had to scramble to get both cameras on the sun - long focal lengths and solar filters make this especially difficult. However, with the second setup, every time the sun was obscured by clouds it took extra effort to find the sun again. Anticipating when you would see the sun was not possible, so you had to keep constant watch.

Due to the brightness of the sun, heavy filtration is necessary to protect camera and eyes. Primarily, there are two popular filter choices. Filters that add a color to render the sun an orange color like we are used to seeing. The other filter choice is a neutral density filter that adds no color - this was my choice.

Since the images captured are not what I would consider normal in any respect, I feel there is room for interpretation in the processing. And, so I did with the color rendering.

As I mentioned, we were fighting clouds most of the eclipse. They do add some interest to an otherwise almost blank disk. As you can see, there were some sunspots that were visible throughout the eclipse.

Second contact is when the opposite lunar limb first touches the sun in an eclipse. For an annular eclipse, there is nothing too terribly exciting to see, but it is still awesome to see the Ring of Fire from beginning to end.

The most exciting part of an annular eclipse is the Ring of Fire, when the moon is blocking as much of the sun as is possible, with just a portion of the sun showing. The difference between an annular solar eclipse and a total solar eclipse is the relative distances between the earth, moon and sun. When the moon is closer to the earth, relative to the sun, you have a total eclipse. There are scientists who have spent much of their career studying all aspects of solar eclipses and making calculations to predict each eclipse, mapping where the path will occur on earth and the times. I am indebted to them for making it possible for me and many, many others to be able to have captured images such as you see here. This effort does not occur in a vacuum.

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Arriving ahead of the day for the annular solar eclipse at the Virgin Valley campground in the Sheldon National Wildlife Refuge in Nevada, the white-crowned sparrows were numerous and very active in the mornings. After a night's rest and securing a camp spot, we wandered the area. The sparrows were actively feeding in the surrounding edges of nearby ponds. Nice golden light from sunrise provided the perfect background.

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Another October fall day with a pika. Very curious and always watching to see where the intruder is and what he's doing. They generally choose a spot in the sun to watch. It was another good day.

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After a scouting hike to Second Burroughs a month earlier, I returned in September for a sunrise shoot. Leaving the parking lot at the Sunrise Visitor Center at 3:18am, we crunched up the trail with a fresh dusting of early snow. Arriving on Second Burroughs about 5:30am, with clear skies, we waited in the stiff cold for sunrise at about 6:00am.

The really nice light lasted for about half an hour and then it was gone. With the sun warming our fingers and toes, we heated some water for a cup of coffee before heading back down. It was totally worth the early morning drive, hike and cold.

Be well. Be safe.

American pikas are found in alpine environments, typically making their home in boulder fields. They use the cavities created by the boulders for travel paths, food storage, protection from predators and shelter. While hiking through such boulder fields, it is likely you have heard them call out but not seen one. Due to their size, camouflage and speed, they blend in and are hard to spot. Unless, you stop long enough to spot some movement. Their calls alert all of the other pikas in the area. Sometimes, the calls are a territorial warning, such as the one being displayed here.

Back in 2021, I started a thing I called Upload Wednesday. Well, it has not been by any stretch a continuous activity, but I have been consistently uploading images to the NEW section of the Gallery on Wednesdays. I thought I would start featuring an image from each 2025 upload here in the News section.

Keep watching this space for updates.

Be well, be safe.

Happy New Year!

Last year was one of those years where it didn't seem there was much to report on or write about. Highlights included an abundance of birding in Texas, visiting sand dunes in Colorado (Great Sand Dunes NP) and Idaho (Bruneau Dunes SP), northern lights in a Washington state dark sky location, hiking in Mount Rainier NP, birding in Grays Harbor for a week, visits to Rocky Mountain NP and Yellowstone NP for fall color and large mammal photography.

As can be noted in the Gallery, 2024 was the year of processing mirrorless body images. Although having purchased the Canon R5 in 2021 and the R7 in 2023, it has taken a while to catch up to processing images from those bodies. Catching up has been a recurring theme in this News section and so it goes. I guess the good news is that it is happening. My current batch of photos that I am working on are snowy plovers from May of 2023.

In my defense, I had paused processing for a time while doing a bit of a deep-dive on luminosity masks in Photoshop - a feature that has been in the program since it's very beginning. I admit that I knew about luminosity masks, but had never taken the time to really understand how they could be useful in my Photoshop workflow. This pause has included reading a book published in 1998, Photoshop Channel Chops, written by David Biedny, Bert Monroy and Nathan Moody; written about the time of Photoshop 3.0. I wish I had known about this book when it came out as it coincided with my entry into the world of Photoshop. I highly recommend tracking down a copy; it is out of print but copies can be found. It is a book that gives you a foundational understanding of things that Photoshop does without you even knowing it. It particularly gives you the concept of where luminosity masks come from and how alpha channels can be useful. Oh, and it gives you a bit of the history of Photoshop's origins. Interesting stuff.

Enough techy talk. Be well. Be safe.